Adam Driver delivers some of his best work in Leos Carax’s Sparks-filled musical.
Review: David Byrne's American Utopia
Spike Lee and David Byrne create a euphoric and important experience at just the right time.
Review: Hamilton
On how the play being made available for everyone now is both perfect and imperfect timing.
Review: Artemis Fowl
Disney and Kenneth Branagh’s latest disappoints.
Review: Jumbo
Familiar storytelling beats in this unexpected love story result in a unique and moving film.
Sidewalk Fest 2019: Midsommar - Director's Cut
The new extended version of Ari Aster’s film adds welcomed pieces to the puzzle.
Review: Anima
Finding love in dark times with Paul Thomas Anderson and Thom Yorke’s Anima.
Review: Hail Satan?
Our coverage of this year’s Chattanooga Film Festival kicks off with Hail Satan?
Review: Shazam!
A by-the-numbers superhero origin story is elevated by a delightful performance from Zachary Levi.
Review: Us
Jordan Peele deftly avoids the sophomore slump with this smart and terrifying film.
Review: A Star Is Born
Star turns from both Lady Gaga and director, Bradley Cooper, make A Star Is Bornˆa tale worth telling again and again.
Review: Revenge
Coralie Fargeat’s entry into New French Extremity is a twisted tour-de-force of vengeance.
Overlook 2018: The Ranger
This thriller set in the punk rock scene will test the patience of many audiences, even at its brisk runtime.
Review: The Devil and Father Amorth
William Friedkin "steals" the show in his documentary The Devil and Father Amorth.
Review: Madeline's Madeline
Callie Smith reviews the "wildly chaotic and entirely unpredictable" Madeline's Madeline.
Review: The 15:17 to Paris
In The 15:17 to Paris, Clint Eastwood captures a real life hero story with questionable end results.
Review: Wonderstruck
Todd Haynes’ latest feature may hit overused tropes, but it proves to be effective nonetheless.