A delightfully inventive picture that doesn’t quite coalesce in the end.
Sundance 2021: Night of the Kings
One of the best Sundance 2021 has to offer.
Sundance 2021: The World to Come
Performances are key in this solid and gorgeous adaptation.
Sundance 2021: Judas and the Black Messiah
Shaka King’s film is a potent reminder that change is hard fought and even harder won.
Sundance 2021: Fire in the Mountains
Ajitpal Singh's sublime feature film debut humanizes its characters in a real, respectful way.
Sundance 2021: The Blazing World
Writer-director-star Carlson Young’s film is an impressive, yet inconsistent, fantasy-horror film.
Sundance 2021: Mayday
The film by Karen Cinorre is a visual marvel that mixes war drama with The Wizard of Oz.
Sundance 2021: Superior
Erin Vassilopoulos’ film is a sweet and nightmarish vision of suburban sisterly love.
Sundance 2021: How it Ends
An interesting concept falls a little flat in this apocalypse drama.
Sundance 2021: Prime Time
A taught hostage thriller with strong Sidney Lumet vibes.
Sundance 2021: Passing
Rebecca Hall’s directorial debut is a powerful story of race and identity and one of the best of the Sundance fest.
Sundance 2021: Censor
A woman goes on a journey of self-discovery by way of video nasties.
Sundance 2021: In the Earth
The latest from Ben Wheatley goes for the experimental and the traditional with varied results.
Review: I'm Thinking Of Ending Things
I’m Thinking Of Ending Things is existential horror wrapped up in meeting the parents.
Fantasia 2020: Tezuka’s Barbara
The film by Macoto Tezuka is a worthwhile shakeup of genre convention.
Fantasia 2020: Undergods
A truly puzzling looking into a dystopic European experience.
Fantasia 2020: La Dosis
The two lead performances elevate this hospital ward thriller.
Review: The Rental
Dave Franco’s directorial debut falls into some recognizable traps, but also provides some genuine thrills.
Review: The Irishman
Martin Scorsese’s latest is compelling, personal, risky, and one of the best of the year.
Review: Booksmart
Aaron Hendrix takes a look at Olivia Wilde’s directorial debut, Booksmart, and is in awe of her visual style.